Under Construction

In these works, space is not a setting, but an interior structure. Walls, metal plates, pipes, grids, numbered fragments or organic traces do not construct an industrial landscape, but a cartography of the self.

The matter seems cold, industrial, fragmented, but within it an organic tension pulsates. Structures become membranes. Corroded surfaces transform into layers of memory. Each fixed, screwed or suspended element suggests an attempt to stabilize something deeply unstable: identity.

In some works, the organic appears frontal, vulnerable, exposed against a rigid metallic background. In others, it is absorbed by geometry, fragmented, hidden under successive layers of texture. The relationship between flesh and steel, between interior and exterior, between body and construction becomes a metaphor for the contemporary condition—an existence constantly negotiated between biology and technology.

These paintings investigate memory as an architectural space. The past is not narrated, but sedimented in texture. Memories become volumes, angles, overlapping surfaces. Sometimes they appear as discrete traces; other times, as forms impossible to ignore.

The viewer is not invited to contemplate an object, but to traverse a system. Each work functions as a section through an interior construction: a building of vulnerability, loss, inheritance, assumed roles, and lingering silences.